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FAGLIE

FAGLIE is a project by curator Marco Burchini and choreographer Elisa Sbaragli.

 

It was born as a meeting point between different but complementary perspectives: two sensibilities that observe the cracks of the present not as breaking points, but as openings.

 

FAGLIE works on subtle shifts, on the telluric movements that cross the body and the stage, transforming vulnerability into a place of listening and friction into a generator of imaginaries.

 

Since 2023, Elisa and Marco have shared an artistic journey in which choreography and creative direction intertwine. This dialogue has led to the creation of Se domani (NID Platform 2024 and 2025 selection, Aerowaves 2025 mention, Danza&Danza 2025 Award - Italian Production/Emerging Author), La Plaza (CURA Project 2025, ResiDance - places and residency projects for choreographic creations, action of the Rete Anticorpi XL Network), Falena (InCastro Festival special project), and Mirada (Danza Urbana XL 2024): luminous cracks from which the work continues to expand.

CATAPULT #Bergamo

body and sensory laboratory curated by the FAGLIE Project.

 

Catapulta is a physical and sensorial laboratory designed for the Walls of Bergamo, a UNESCO heritage site.

 

Catapulta transforms the Walls from a place of defense and border to a space of communication and memory.

Participants experience how the body generates traces of experience, which are reworked into words and phrases, then expressed through a megaphone to catapult them beyond the Walls. In this way, the physical boundary becomes a space for openness, dialogue, and communication.

 

Catapulta offers an experience where body, words, and memory intertwine to transform the Walls into a space of openness and community. Participants become living memories of the place, while the messages symbolically catapulted beyond the Walls represent the possibility of transcending boundaries and building bridges between individual, collective, and historical experiences.

 

Project objectives:

  • Crossing boundaries through messages

  • Keeping alive the memory of the gestures, movements and history of the place

  • Transforming the Walls into a living and participatory space

  • Stimulate reflection on physical, symbolic and historical borders

  • Promote communication and expressiveness through body, words and sound

  • Bringing the memory of space and experience alive

  • Ensure inclusiveness and accessibility for all participants

 

Recipients:

The workshop is aimed at adolescents and adults, performers, and movers interested in physical, sensorial, and spatial practices.

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